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“One of the reasons I wanted to have them clothed in the Manet is because it is more about them occupying the space and not about them being nude. It’s also about them being very present. It’s very seldom that you see Black women in the context of relaxation or lounging. Where you see me as muse, in the nude in the form of an Odalisque, even this is equated to a form of leisure. To recline is to relax, to recline is to lounge, which is not necessarily associated to the Black body, since Black bodies are usually looked at through trauma, through abuse or discrimination. Me, I’m coming from a place of celebration and joy. So I wanted to bring that to the forefront. We, too, can occupy these [spaces] and emote these feelings.
Anyone who has visited Claude Monet’s Grandes Décorations, the monumental water lily paintings that curve along the museum’s walls as though anticipating virtual reality, knows there is an anteroom to buffer the bustle of visitors in the main space. This is where we find the first of five works from Mickalene Thomas, who spent 2011 in residence at Giverny. Here, she applies her signature flourish—photos and matte paper collaged into fragmented compositions embellished with paint and traced with Swarovski crystals—to interior scenes of his home, exterior scenes of his garden, and, most strikingly, a reimagining of Manet’s Dejeuner sur l’herbe in which three Black women are dressed and gaze directly at the viewer (Thomas made a first version of this historic painting in 2010). Their beauty is luscious and cool, reclaimed from the male gaze yet no less seductive. On the lower level, is a large-format view of the house from the outside and a video installation where artificial flowers surround stacked screens that show Thomas as an Odalisque-type model set to an interview of Eartha Kitt with chirping birds recorded from the garden. Given our unplanned conversation, I asked her about the decision that these women would be clothed whereas she appears nude.
When you think of Stella Maxwell, it’s possible that the first things that come to mind are glamorous images of the model walking the runways for famous designers, so it may come as a surprise to learn than in real life, the Belgian-born, New Zealand–raised model is actually very down to earth. In this episode of “Diary of a Model,” Maxwell brings the Vogue cameras to Paris as she goes about her day, which just happens to include walking the Andreas Kronthaler for Vivienne Westwood show. First thing first: She walks us through her surprisingly sparse beauty routine—eye patches to combat jet lag (just a few days ago she was in Los Angeles, she tells us), some face rolling, and that’s about it.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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