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Go see it, and bring a date: TÁR is a movie that defies easy judgments and prompts conversation. Remember when more movies did that? Of everything that I am tired of reading—impassioned defenses of Van Gogh’s Sunflowers (but not the sole planet in the boundless universe where sunflowers actually grow), literally any sentence that includes the words “Number” and “10”—stories about the (alleged) love triangle between Jason Sudeikis, Olivia Wilde, and Harry Styles might be top of the botox-necessitating list. The British pound now has roughly the value of Monopoly money, Putin is threatening nuclear war, the push-up bra is apparently back, and yet my WhatsApp chats are being taken over by discussions of what an OC star would have theoretically felt like if Ted Lasso lay down in front of her car to keep her away from an X Factor alumnus in sequined Gucci flares.
Blanchett is in every scene of this movie, and she’s formidable. Just give her the Oscar: This is acting as a display of power—Blanchett trained as a conductor for the role, as a pianist, learned to speak German, and even (according to press notes) practiced driving at a racetrack for one sequence where she’s behind the wheel. She gives Tár so many dimensions—of cruelty, vulnerability, helplessness—that you never know exactly how to feel about her. A duel with a Juilliard student about the merits of Bach (one more dead, white male) has quicksilver intelligence; she obliterates him with her arguments, but her arrogance is on display too. Eventually, comeuppance is due, and the film delivers it. The denouement is maybe hurried for such a methodically controlled film, but it haunts you too—and is devoid of moralizing.
And so begins a movie about creative brilliance and monstrous behavior existing side by side, a story that makes you think of #MeToo and cancel culture but doesn’t tell you what to feel about either of those things. Tár is in a long-term relationship with the lead violinist of her orchestra, Sharon (played by Nina Hoss), and they live with their young adopted daughter, Petra (Mila Bogojevic), in a dreamily brutalist Berlin apartment. The existence is one of exquisite, chilly luxury, but Tár’s life is unraveling fast, thanks mostly to her sexual compulsions, which we come to know about through deft storytelling strokes: her worshipful, wounded assistant, Francesca (Noémie Merlant), acts like a spurned lover; a veiled, threatening gift arrives out of the blue; and when a young Russian cellist appears to audition for her orchestra, Tár is helplessly rapt.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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