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Rainey, a wealthy woman who wore furs and jewels regardless of the season, did her own makeup at every tour stop. “I wanted to incorporate this DIY quality to Viola and her character,” says Lopez-Rivera. “Our job was to erase the 21st century from Viola. When every department treats this material the same way—with the same curiosity, authenticity, and willingness to be very specific—this is what you get: a movie that’s so textured, authentic, and beautiful.”Receiving the Oscar nomination is a shared proud moment between Neal, Wilson, and Lopez-Rivera. They’re grateful that they trusted Davis’s request. Whether they win or not, the trio hopes the honor will inspire more Black and brown creatives and those from underrepresented communities to seek out the possibilities that exist behind the scenes in entertainment.“The possibilities are endless, and this nomination proves that,” Neal confirms. “Evolution is inevitable, and it’s happening. Any African American or young person of color going into this field should know people do want diversity. Erase your own fears, doubts, and preconceived notions. You are wanted, and you will be welcomed. Go in and work hard because there is space for you, and we’re living examples of that.”
Lopez-Rivera has been Davis’s makeup artist since How to Get Away With Murder premiered in 2014. He came up with her character’s gold teeth, runny eyeshadow, and smeared cheek rouge with lipstick. He had no idea who Rainey was when Davis asked him to be part of the film.Lopez-Rivera knew immediately he had to convey the lack of access that Black women had to cosmetics. “I had to go back to where Ma Rainey came from,” the Spanish makeup artist says. “Her training wheels in stage were in vaudeville. I’m having to fill in the blanks for when and where this woman learned to do makeup. Because there was no access, she had to make a lot of her stuff and apply it herself.”So Lopez-Rivera—who’s done the faces of Audra McDonald, Allison Janney, Anika Noni Rose, and Reese Witherspoon—used his pinky finger to tap, rub, and draw all over Davis’s face. He intentionally made one eyebrow higher to avoid creating symmetry or perfection. The BAFTA Award nominee relied on oral histories his grandmother often shared with him about women during the Spanish Civil War using burned wine corks and grease to make their own eyeshadow.
Neal, a Drama Desk Award winner for hair and wigs in Shuffle Along, covered herself and her work area completely in plastic, oiled the hair numerous times, and used every cleaner she could get her hands on to sanitize the coarse mane. Later she boiled it. The strands softened and held their curl once dry, indicating to Neal why Rainey wore that kind of wig. “It’s like today’s synthetic hair because it holds a set,” says Neal, who also worked on Broadway productions of Julius Caesar, A Raisin in the Sun, and The Iceman Cometh. “She was a Black woman traveling during the 1920s. She couldn’t get serviced in every salon, so she had to have something in her bag that was ready to go for her performance.”“My mind is totally blown,” adds Wilson, who was the hair department lead for How to Get Away With Murder and has also styled hair for Rihanna, Taraji P. Henson, and Donatella Versace. “I really can’t believe it. It’s such an honor and blessing. It wasn’t my goal to be a nominee for an award—it was to go to work and do my best. I’m going to do my best to bring myself back into my body so I can just enjoy the moment.”
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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